Wednesday, August 23, 2006

La Femme Nikita, Season 4

TV. This counterterrorist agent show is simply unparalleled by anything else in the decade since it was made. Every episode is rich with plot twists and surprises at every turn. All the characters are excellent, displaying humanity (or in some the lack of it) and complexity. Their interplay and subterfuge within the shadowy counterterrorist organization called Section One will keep you coming back for more. This is must-see, edge-of-your-seat viewing. You'll get hooked! Five stars.

Tuesday, August 15, 2006

Harvey Birdman, Attorney at Law: Vol. 1 (2000)

Here is a fast-paced, savvy, quippy, absurdist parody of a panoply of Hanna Barbera silliness. Harvey Birdman is a superhero turned attorney (not unlike a glass of milk turned cottage cheese), defending a star-studded host of cartoon characters such as Fred Flintstone (accused of being a mob godfather in a clever if tendentious parody of The Sopranos), Race Bannon and Dr. Benton Quest (in a delightfully ironic parody of several subtexts from Jonny Quest), Shaggy and Scooby-Doo and so on. I particularly enjoy several understated standing gags, from Harvey's "I'll take the case!" to the silent secretarial habits of Harvey's winged assistant Avenger to the preening disloyalties of would-be junior partner Peanut to the woo-ee-oo narcissism of Judge Mentok "the Mind Taker." This is a very smart, rapid-fire, and marginally addictive show. If you love schmaltz, not even liquor is quicker than Harvey Birdman: Attorney at Law. I'll close with a random instance of blather from Harvey's boss (voiced by Stephen Colbert): "Do you know what this means to the firm, the billable hours? I can finally build that lakehouse. And I'll run around naked all day. Ha ha... dangly parts." Five stars.

Monday, August 14, 2006

Ninth Gate (The) (1999)

There's something iconic about The Ninth Gate. Johnny Depp plays the greasy book sleuth Dean Corso, who really knows his rare books and has committed certain illegalities to acquire them for various clients, including Frank Langella's Boris Balkan, who has spent a lifetime gathering the world's premiere collection of Satanic tomes (for his own nefarious purposes, it turns out). Depp plays the amoral acquisitions expert with aplomb (though any book aficionado would stand aghast at his incessant smoking while thumbing through a million-dollar copy of The Ninth Gate). Emmanuelle Seigner is sexless yet sexy with her green eyes and fearless demeanor in her enigmatic role as The Girl (who is later revealed as more than just an employee of Balkan, and even more than an angelic protector, but the one who sends emissaries herself). The (literal) climax and denouement are alternately revealing and puzzling, since the final scene is unclear as to what happened or why. (The book holds clues, others tell me.) My favorite scenes are where Langella's character crashes a coven meeting, killing the would-be priestess and disbanding the followers with a "Boo!" but later failing in his quest, despite his own supreme confidence of success. Indeed, who can know the truth when they ally themselves with the Prince of Darkness? The answer is, perhaps only when the Prince of Darkness chooses to ally himself (in any form he chooses) with you. Five stars.

13 Ghosts (2001)

This is not your father's spooky ghost movie. It's a refreshingly effective update of the 1960 thriller, complete with an intricately mechanized house chock full of glass panels that shift like clockwork and bear Latin inscriptions to imprison then ultimately to release 12 bizarre otherworldly spirits. Soon Tony Shalhoub and his family discover they are not only trapped in a house of demons, but the tormented spirits are about to become the tormentors. (Human actors can see the spirits when they wear high-tech spectacles that are a nice tribute to the 1960 movie's 3D origins.) This movie kept me often on the edge of my seat, from the attorney who "had to split," through the building climax and to the harrowing finale. Some may nitpick, but 13 Ghosts is a ghosts-and-gore thriller you can love. Five stars.